Showing posts with label Africa. Show all posts
Showing posts with label Africa. Show all posts

Wednesday, August 4, 2010

Damn “NIGGA” Damn!

by today's Urban Chameleon contributor Black Man formerly known as Nigga

Surreal the trip had been already. I found my self here in South Africa surrounded by self-proclaimed “coloreds” and my homie from the “D” in an upscale restaurant in one of Cape Town’s finest dining establishments. We were discussing the frustration of coloreds and black s alike in South Africa at the fact that Mandela had not done more to punish South African whites as he took power. Many South Africans of the browner persuasion felt that they had been sold out. They felt like African Americans would not have stood for such a passive take over. They cited the rhetoric of Malcolm X and the resumés of revolutionaries like Huey Newton and Angela Davis with the thoroughness of the deepest Afro-American history scholar. They put the African American civil rights struggle on a pedestal and languished their own leaders’ inability to be as effective, as aggressive, as revolutionary.

My man and I asked many questions and learned a great deal about our South African sisters and brothers over bottles of South African wine and faire. Our bellies and minds full, we paid the bill and prepared to exit, my homie and I nearly running, because we still could not believe that a meal of that quality could cost so little. Surely the waiter would be after us to let us know he’d made a mistake and forgot to charge us the proper amount.

As we walked to our car a black South African man approached. Clearly the brother was homeless. His hustle was watching the cars parked along this dark but busy street ensuring that cars were safe from the rash of smash and grab robberies that occur often in cities like Cape Town where “the haves” have in great abundance and the have nots, well, you know.

He overheard my man and I talking and his eyes lit up.

“Hey! You guys are American!” he said excitedly.

“Yes” we affirmed, “What’s up brother?”

“Oh wow!” he said giving us dap. “You guys are the real, the real NIGGAS”

My homie and I looked at each other is shock. “Nah b. We brothers.” I said coolly.

“No man, you guys are the REAL NIGGAS. Like for real.”

“No man. We not niggas, we brothers”

“No, its ok” he assured us, “You’re real niggas. Not like these guys from West Africa that come here and think they niggas, you guys are the REAL NIGGAS. I want to be a nigga like you too!” he said with a big smile.

We continued to object. “Listen man, we NOT NIGGAS. We brothers. You can be my brother” my homie said as relaxed as possible.

The man’s face stayed frozen in an excited, yet naïve smile. He seemed to want us to affirm his “nigga’ status. Our “colored” friends joined in, they had picked up on our defiance of being called niggas in the middle of a Capetonian street,

“No, Nigga is a compliment”, they said. “It's a term of endearment. Its not what you think.”

I was floored. Were these not the same people running down the Civil Rights movement as though they were being voiced by Skip Gates? The surreal had become even more real.

“Yo, being a nigga is NOT cool. Its not a compliment” I said as calmly as I could

I could see the confusion of a thousand hip-hop songs, stand-up comedy sets and exploitative black movies crashing all around. Nigga is so much a part of black American dialect that sometime we say it without realizing it. We only hear it when it rolls off of a foreign tongue (literally or figuratively).

Our friends and the homeless man are probably still confounded to this day. Afterall, their use of the word nigga in relationship to my man and I was a means of identifying with us, their American brothers. Truly for them the word was a term of endearment and a gesture to show their affinity towards all things Afro-American.

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Sunday, June 13, 2010

Nigerian Purchases Britain's Gatwick Airport for close to 1.5 Billion Pounds

Urban Chameleon Spotlight

Uuuhm has anybody else heard about the Nigerian native, Adebayo Ogunlesi who is Harvard Law, Business and Oxford School educated, purchasing Britain's Gatwick Airport for close to 1.5 billion pounds!?

There has been much criticism about Western media (meaning CNN) having not covering such a monumental event. Seriously, if every bodily function of Tiger Woods can be reported, real news should at least be squeeze in there too.

Adebayo Ogunlesi, you are our Urban Chameleon pick of the day.


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Friday, April 2, 2010

The Misperceptions About Africa: It’s a Continent Not a Country People

by today's Urban Chameleon contributor
Anonymous


















So imagine this. You, in all your “power to the people”, “back to the motherland” “I’m embracing my African roots” glory, decide to take a trip to Ghana for a study abroad program. You are excited to finally leave America, for the first time, and really learn about your roots and your African brothers and sisters and taste true West African soil. You tell everyone who will listen how excited you are to be leaving the over commercialized country that is the United States of America and return to the motherland where all is pure and natural. You get rid of all your designer clothes, because they really don’t care about labels over there. You cut off your perm (yes, your long ass hair that you’ve been growing since you were twelve) because they are not weak enough to succumb to the temptation of “creamy crack” back in the motherland. Cell phone, gone. Designer purses, don’t need them. Those cute nine-west boots, bye bye. You wave goodbye to America one last time from you seat on the plane. Then, you sit back, relax and prepare yourself for your 14 hour flight to Ghana.

Fourteen hours later, you get off the plane and walk onto the tarmac at Kotoka International Airport. You are dying to kiss the ground. You are so happy to finally be there. And then you walk into the airport and WHAAM..wait…what…was that...no…no…no did some girl speaking in Akan just walk by in a perfect Beyonce weave with apple-bottom jeans and boots with the fur. There goes another one rocking a cute Rihanna-like bob and skinny designer jeans tucked into a pair of mid-calf Ugs…yes Ugs. As you pass person after person, rocking the latest in what you consider “American fashion” and not a one has a fro or is wrapped in Kente cloth, you are getting angrier and angrier because you gave up all your stuff for NOTHING.

So the above is a true story. I laugh as I write it. The same way I laughed my butt off when my classmate came back from Ghana genuinely upset about the lack of “African-ness” in Ghana and how she couldn’t believe she cut her hair and gave up all her stuff for that. I probably shouldn’t have laughed. In fact, I probably should have clued her in before her trip that the Dolce & Gabana purse I had that she admired so much was a gift from my mom purchased in a mall in Abuja, Nigeria. I should have probably mentioned that half the hip hop, R&B, Pop CDs I owned at the time were purchased while I was home in West Africa for the holidays. But far be it for me to burst her bubble.

A different person might have been offended or put off by my classmate’s misperceptions of Africans but I guess having grown up the way I did I was just used to it. I was used to having to explain to people that Africa is a continent not a country, that I don’t speak “African” because that language doesn’t exist, that I didn’t grow up in a mud hut but actually lived in a nice house with running water and real functioning toilets (imagine that!). And don’t get it twisted, these misperceptions (which is my nice way of avoiding saying ignorance) are not unique to African Americans. I encountered the same issues in England, France…pretty much wherever I went.

Interestingly enough, being a Nigerian raised both in the U.S. and in West Africa, I noticed the opposite was true as well. Some Africans had equally misguided perceptions about African Americans. To them, anyone or anything that came from the States was “better”, “amazing”, “the best”. I remember, I came home to West Africa from school in England one summer and there was a new guy in town. He was all my friends could talk about. He’d moved there from Washington DC and had all the latest clothes, and hip hop CDs and drove a Nissan SUV. For the longest time I didn’t even know his real name because everyone simply referred to him as Da Rula (as in The Ruler, The King, The Bomb). Seriously people? Da Rula? All because he came from the States, had flashy stuff and some swag? Never mind that you could probably find the same CDs, jeans, etc….here at a local market for a third of the price (ok fine maybe not the street-side local market but you could find it somewhere – like at the mall). Never mind that your parents all had BMW’s or Mercedes compared to his Nissan (not to knock Nissan because I drive a Murano now and love it). None of that mattered because he was Da Rula so everything he had was just better just because he was from the United States. The irony of our disconnect.

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Tuesday, March 9, 2010

PUMZI, Kenya’s first Science Fiction Film

This is a great article from Wired Magazine about the first sci-fi movie out of Kenya. Make sure you check out the trailer on YouTube at the end!

Pumzi, Kenya’s first science fiction film, imagines a dystopian future 35 years after water wars have torn the world apart. East African survivors of the ecological devastation remain locked away in contained communities, but a young woman in possession of a germinating seed struggles against the governing council to bring the plant to Earth’s ruined surface.

The short film, which will compete in screen at this year’s Sundance Film Festival, “started off as a small script about what kind of world we would have to be if we had to buy fresh air,” writer/director Wanuri Kahiu told Wired.com in a Skype interview.

Like recent standouts District 9 and Sleep Dealer, the short film taps into Third World realities and spins them forward for dramatic effect. But to produce Pumzi, Kahiu looked to the past, as well as the future.

She researched classic 1950s films to create her movie’s futuristic sets, comparing the processes of matte painting and rear-screen projection with indigenous African artwork.

“We already have a tradition of tapestries and functional art and things like that, that loan a backdrop for films,” Kahiu said.

Made with grant money from Focus Features’ Africa First short film program, the Goethe Institut and the Changamoto arts fund, Pumzi will share the screen with two other films as part of Sundance’s New African Cinema program.

Mentors from Focus Features introduced Kahiu to South African producers, including Simon Hansen, who worked with Neill Blomkamp on Alive in Joburg, the predecessor to last year’s sci-fi smash District 9. Kahiu said she hopes Blomkamp’s blockbuster will attract attention to other African films.

Kenya, frequently used for location shooting, boasts experienced crews but little funding. “You just hustle,” Kahiu said. “There is no set funding option. You borrow against banks, you do anything that you can to make your film.”

Distribution is another difficulty. While Kahiu hopes to offer Pumzi online, the Kenyan infrastructure is too underdeveloped to effectively distribute the film in her country. Meanwhile, directors in the country have been watching the prolific film community in neighboring Nigeria for inspiration.

Nollywood has its own distribution network and Kenya is slowly copying and picking up that very grass-roots distribution route,” Kahiu said.

Focus Features granted Kahiu complete control of her film. After producing commissions for African networks and retaining no rights, she helped create Dada Productions. Her first feature-length movie, From a Whisper, a dramatization built around the 1998 U.S. Embassy bombings in Nairobi and Dar Es Salaam, garnered five African Academy Movie Awards.

Kahiu’s future plans include expanding Pumzi to feature length as well as nurturing her local film community.

“I would like to work and build an industry, so that everyone walks away well-paid, with great hours,” Kahiu said. “Just a humane society, of sorts.”

Pumzi will play five times at Sundance between Friday and Jan. 30. For those unable to make the Utah film festival, the trailer and stills below offer a glimpse at Kahiu’s sci-fi short.

Tuesday, December 22, 2009

South African Union Threatens to Boycott Jennifer Hudson

Urban Chameleon news

source: Independent Black Women Film festival

Last month Jennifer Hudson announced that she will play Winnie Manikizela-Mandela in the Equinoxe Film WINNIE (due out in 2011). The Creative Workers Union of South Africa (CWUSA) promptly issued a statement to South African newspaper The Citizen protesting the fact that a South African was not cast in the role, and locals haven’t been sought to star in or work on the film. The union is composed on South African creatives, including filmmakers, actors and musicians. Renowned South African theater actor John Kani pointed out that, “the problem was not Hudson playing Madikizela-Mandela, but the lack of respect and acknowledgment for local creatives.”
Ms. Hudson’s casting also highlights a recent trend toward casting entertainers and singers as actors. Actress Nia Long –in response to Beyonce Knowles starring in yet another film– even went as far to state, “It’s just not about how talented you are anymore. It’s about, ‘How much box-office revenue will this person generate?’ ” But Ms. Hudson is not alone in the push toward entertainers, especially African American entertainers. She’s one of many in a long line that includes Ludacris (CRASH, GAMER), Alicia Keyes (THE NANNIE DIARIES, SECRET LIVES OF BEES), Ice Cube (FRIDAY, BARBERSHOP), Eve (BARBERSHOP, TRANSPORTER 3), and a host of others.
This brings up several issues that have been plaguing Africans/African Americans in film: 1) The right to accurate representation, 2) the dearth of roles for Blacks, and 3) trivializing the “craft” of acting. The movie industry in the United States is focused on the business of show business, and rarely do African Americans have the luxury to present “art” that doesn’t “make money.” If African Americans in film can’t bring in an audience, then Hollywood –and some Blacks in film– will not bother to cast them in other films, or back films starring them. This is part of the reason why Hollywood continually brings in entertainers, and not actors.

Middle-America more readily recognizes Ludacris than it does Ruby Dee.
read full article on ibwff.com

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Monday, November 30, 2009

Jay Z, Will & Jada Pinkett Smith Present Fela on Broadway

Urban Chameleon news

The fact that a show about the life of the Nigerian, activist, musician, Fela Anikulapo Kuti has been brought to Broadway with the help of Jay Z, Will and Jada Pinkett Smith- is pretty spectacular! In going to see the show Fela last Saturday I would encourage you to buy your tickets today and see for yourself how unbelievably powerful this musical is. It is not to be missed!

Jay-Z, Will and Jada Pinkett Smith Have Joined ‘Fela!’ as Producers

By PATRICK HEALY

Jay-Z, Will Smith and Jada Pinkett Smith have signed on as producers of the new Broadway musical “Fela!” and will attend the show’s opening night at the Eugene O’Neill Theater next Monday, Nov. 23, a publicist for the production said.

“Fela!” represents the first time that Jay-Z and the Smiths have joined a producing team of a Broadway show. Their artistic involvement in the musical is bound to be minimal, given that the show is already in previews and had a critically acclaimed run Off Broadway last year.

But the presence of three high-wattage celebrities at opening night, and the likelihood that they will promote the show through television appearances and media interviews, is bound to raise the public profile of “Fela!” at a time when theatergoers have plenty of choices for Broadway musicals.

Revivals of “Ragtime,” “Finian’s Rainbow,” and “Bye Bye Birdie” opened this fall, as did the new musical “Memphis,” and the much-anticipated revival of Stephen Sondheim’s “A Little Night Music” opens next month. Several musical entries from last season, like “Billy Elliot,” “Hair” and “Next to Normal,” are still going strong.

Conceived by the Tony Award-winning choreographer Bill T. Jones, “Fela!” centers on the life and work of the Afrobeat superstar Fela Anikulapo Kuti. There are no widely known stars in the cast, which makes the involvement of Jay-Z and the Smiths even more of a boon for marketing purposes. It was not known on Monday how much money the three had invested in the musical; the three were not immediately available for interviews, said the publicist, Billy Zavelson.

He also confirmed that the opening date would be Nov. 23, as originally scheduled. At first, Jay-Z had a scheduling conflict for Nov. 23, so the 24th became an option if the Smiths could rearrange their own calendar. But the alignment of the three stars has been worked out, and all of them will be making a relatively rare red-carpet appearance on Broadway.

source from artsbeat.blog

Friday, October 30, 2009

Let there be light: Madonna

Urban Chameleon news

I know this joke has been made before but I would love to see the day when a Black mogul like a Tyler Perry adopts a bunch of white children from Eastern Europe or even Kentucky could be interesting.

Madonna has promised electricity to a village in Malawi, the impoverished southern African country where she runs a charity organisation and from which she has adopted two children.

Speaking in Mphandula, some 50 kilometres from Malawi's capital, Lilongwe, the singer said on Thursday: "I know you work in darkness. I will bring you electricity."

Madonna's Raising Malawi charity already has donated $US500,000 ($556,359) for a childcare centre in the village that feeds and educates 3,000 orphaned children.

Madonna arrived in Malawi on Sunday accompanied by her four children. On Monday she broke ground for her $US15 million ($16.69 million) Raising Malawi Academy for Girls.

About 500,000 children in this nation of 12 million have lost a parent to AIDS.

source from brisbanetimes

Monday, September 21, 2009

Secretary by Day, Royaly by Night: The African Chameleon

Urban Chameleon news

The story of a Ghanaian Chameleon

Secretary by Day, Royalty by Night

Embassy Worker Remotely Rules a Ghanaian Town

source: Washington Post
Washington Post Staff Writer
Wednesday, September 16, 2009

The king folds her own laundry, chauffeurs herself around Washington in a 1992 Honda and answers her own phone. Her boss's phone, too.

Peggielene Bartels lives in Silver Spring and works as a secretary. When she steps off an airplane in Ghana on Thursday, arriving in the coastal town her family has controlled for half a century, she will be royalty -- with a driver, a chef and an eight-bedroom palace, albeit one in need of repairs she will help finance herself.

"I'm a big-time king, you know," said Bartels, seated at her desk at the Ghanaian embassy just off Van Ness Street NW, where she has worked for almost 30 years.

In the humdrum of ordinary life, people periodically yearn for something unexpected, some kind of gilded escape, delivered, perhaps, by an unanticipated inheritance or a winning lottery ticket.

In Bartels's case, that moment arrived 15 months ago. The phone in her condominium awoke her at 4 a.m.

"Hello, Nana," said the overseas caller -- a relative, as it turned out -- employing a title Ghanaians use to refer to people of stature, from kings and queens to grandparents.

"What you mean, 'Nana?' " answered Bartels, 55, who has no grandchildren -- or children, for that matter. Her husband lives overseas. She thought the call was a prank.

The 90-year-old king of Otuam, a town of 7,000 residents an hour's drive from Ghana's capital, had just died, the caller said. The king, as it happened, was Bartels's uncle. The town elders had performed a ritual to choose his successor, praying and pouring schnapps on the ground and waiting for steam to rise as they announced the names of 25 relatives. The steam would signify which name the ancestors had blessed as the new king.

Bartels, the caller said, was Otuam's new Nana, with power to resolve disputes, appoint elders and manage more than 1,000 acres of family-owned land.

"Oh, please don't play games with me," Bartels replied, reminding the caller that she was a woman, making her more fit for the title of queen. The caller replied that the kingship was the post that was open.

"Things are changing," she recalls him saying; women can now hold many more positions, even king. "You have to accept it.'"

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Bartels endured three months of sleepless nights as she weighed whether to take the throne. She asked herself, "Why me?" The turning point occurred one morning as she drove to work through Rock Creek Park. A voice inside her pronounced: "You can't escape it. It's yours."


"Not everyone gets to become king," she said. "Perhaps it is my destiny."


click here to read full story at the Washington Post



Thursday, August 27, 2009

Africa is Suffering from an Obesity Problem

Urban Chameleon news

The "index of affluence and power is linked to one's size." In other words, bigger is better, even if its unhealthy.
Women, especially in black populations, think being overweight is "something that is beautiful and attractive."
full article at Newsweek


Interesting topic considering people are re-thinking the current BMI levels as the standard to measure obesity. Now if they would only make this adjustment to SAT's (not that I'm condoning people being unhealthily overweight)

BMI is used to determine weight categories: 18.5 and below is considered underweight; 18.6 to 24.9 healthy; 25 to 29 overweight; and 30-plus obese. “This scale was created years ago and is based on Caucasian men and women,” says Dr. Molly Bray, associate professor of pediatrics and nutrition at Baylor College of Medicine and Texas Children’s Hospital. “It doesn’t take into account differences in body composition between genders, race/ethnicity groups, and across the lifespan.”

Thursday, July 2, 2009

ARISE, Africa Is No Joke

The Vibe might haven fallen but we are on the Arise. This new magazine with only it’s 5th issue out is killin’ em. Arise is bringing a new light to Africa accentuating it’s beauty, innovation and strength. I hope that its accessibility of African culture can especially help to bridge gaps between Africans and African Americans. (See posting Africans vs. African Americans)









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